Max Bruch (1838-1920), the German composer best known for his Violin Concerto in G minor, was in his day, a famous conductor and teacher as well as a prolific composer; yet he has been sadly neglected, perhaps in comparison to his contemporary Brahms. In this book – the only full-length study of Bruch – the author provides a richly documented account of Bruch’s career as music director and composer, including a spell with the Liverpool Philharmonic Society from 1880-1883, and as a teacher at the Royal Academy of Arts in Berlin from 1892 until his retirement in 1911, where Vaughan Williams was one his pupils; he paints a picture of a proud and sensitive man, whose talents were perhaps left behind at a time of rapid musical development. The book also offers a musical analysis of his one hundred published works, including three operas. CHRISTOPHER FIFIELD is foremost a conductor, but also a writer on music history (Grove, DNB, Viking Opera Guide, Oxford Companion to Music), the author of a biography of Hans Richter, the editor of the letters and diaries of Kathleen Ferrier, and a recent history of the music agents Ibbs and Tillett.
Referência: 0 250-GZ183 Autor/Compositor: FIFIELD, C. Editora GOLLANCZ

The School of Violin-Techniques book 1 - Viola (Transcrição)
SONATINA MEXICANA - FL / GTR
PEÇAS P/ PIANO
12 ESTUDOS OP.33 VOL.II
Fantasy Pieces op. 73 - Cl/ Pf
French Suite I d minor BWV 812 (ed. without fingering)
DUMKAS OP.90 - VN / VC / PF
CANTATA Nº 82 (VSC)
SIGHT-READING MADE EASY VOL.6
12 Sonatas Op.1 Vol.IV - 2 Vns/ Pf
RITMO Y PALABRA - VOL.I (ALUNO)
Sebenta de Formação Musical -9º Ano - 5º Grau
FANTASIA MOVIMENTOS MISTOS - 1.ALMA CONVULSA
Asturias Op.47, Nº5
Hungarian Rhapsody N.4
Offenbach ou le rire en musique 

