Violoncelo e piano
Autor: Beethoven
Editora: G. Henle Verlag
Ref.: 0 05-1474
Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven’s late style. One reviewer of the original edition noted in 1818 that they “doubtless number among the most unusual and peculiar things written in a long while.” Proceeding from the established Classical schema, here Beethoven explores possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello œuvre. In the Sonata in C-major, unusual elements emerge in the very structure: two fast movements, each preceded by short introductions at a slow tempo – an idiosyncratic, unique formal construction. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.

A PAIXÃO DE SÃO JOÃO 1745 (VSC)
MICROJAZZ VOL.II
PIANO CONCERTO Nº 3 DO MAIOR OP.26
THE GUITAR WORKS OFF... VOL.III
24 Caprices - Vn
CHRISTMASJAZZ P/ TROMBONE
FANTASIESTUCKE OP.73
12 Poems op. 35, Set of Songs on Texts by Kerner - Low Voice
Atto d'Orfeo from "Le feste d'Apollo"; Parma Version 1769 (VS)
SINFONIA Nº 5
SONATA Nº 9 (GOLDEN SON) - 2VNS
HAYDN - STRING QUARTETS OP.50
Elegie Op. 24 - Cbx/ Pf
12 Poems op. 35, Set of Songs on Texts by Kerner - Medium Voice
TIDES OF MANANAN
Années de pèlerinage, Deuxième Année - Italie
60 Easy Studies - Oboé 

