Violoncelo e piano
Autor: Beethoven
Editora: G. Henle Verlag
Ref.: 0 05-1475
Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven’s late style. One reviewer of the original edition noted in 1818 that they “doubtless number among the most unusual and peculiar things written in a long while.” Proceeding from the established Classical schema, here Beethoven sounds out possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello œuvre. The Sonata in D-major reflects Beethoven’s preoccupation with traditional counterpoint; if in the opening movement his ingenious combination of extremely different themes elicits admiration, then in the “Allegro fugato” section of the finale we witness how he conjures from one simple theme the highest contrapuntal art. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.

SOLISTEN KLANGE - VOL 1
CONCERTO Nº 2 EM SOL OP.13 (1ª POSIÇÃO)
SONATA
CONCERTO VIOLINO Nº 1
EL VIBRATO
FANTASIA MOVIMENTOS MISTOS - 1.ALMA CONVULSA
Humoreske - Vc/ Pf
99 TESTS D´ECOUTE - VOL.III (CORRECTION)
TANGO TANGO
Lied - Clarinete solo
POET AND PEASANT... ABERTURAS
CONCERTO RE OP.36 (1ª POS)
CONCERTO BREVE - TROMBONE SOLO
Little Rondo in Classical Style - Hn (F) / Pf
Beethoven Goes Jazz
200 Estudos Melódicos Progressivos Vol. IV
Années de pèlerinage, Deuxième Année - Italie
CONCERTO DO MAIOR HOB VIIB:1 

