Autor: Strauss
Editora: G. Henle
Ref: 0 05-1469
Isbn: 9790201814698
Peter Jost (Editor)
Michael Korstick (Fingering)
Johannes Moser (Fingering and bowing for Violoncello)
Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss’ early œuvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely.
It was worth it, because after the premiere in Dresden, the composer wrote to his mother, “My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.”

QUARTETOS CORDAS VOL.II
Atto d'Orfeo from "Le feste d'Apollo"; Parma Version 1769 (VS)
12 SONATAS OP.2 VOL.II - 2VN / PF
6 Sonatas (RV 47, 41, 43, 45, 40, 46)
QUARTETO CORDAS OP.18 / PIANO SONATA Nº 14
FOUR SLOVAK FOLKSONGS
MYTHES OP.30 - 3.DRYADES ET PAN
French Suite II c minor BWV 813 (ed. without fingering)
Serenade op.7 - Cl/ Pf
Concertino Nº 5 Re Maior - Vc/ Pf
MÉTODO DE CONTRABAIXO VOL.I
ODD METER CALISTHENICS - CAIXA
CONCERTO SI MENOR OP.35 (1ªPOS) 

