Autor: Thompson, James
Editora: Bim
Ref: 0 260-TP216
Buzzing on the mouthpiece has many benefits if done with a systematic and observant approach. Because the mouthpiece offers less resistance than does the instrument, buzzing helps accustom the player to using more air. This greater airflow helps let the lips relax and vibrate more freely, producing a more resonant sound. It also makes the player more reliant on his ear to place pitches, just as a singer does. Further, it aids in developing the most efficient and consistent mouthpiece placement. Finally, perhaps most importantly, mouthpiece buzzing allows the player to develop new and more refined aural/physical habits more easily.

Trois pièces - Vn
L OISEAU DE FEU (1919) (MSC)
Concerto G minor op.12 (1st & 3rd position)
CONCERT PIECE Nº 1 (Euphonium & Pf)
60 Estudos para piano
INCISES (1994)
ESSENCIAL STRING METHOD - CONTRABAIXO
The Second Year Violin Tutor
14 ESTUDOS (MENSCH)
Works for Piano Four Hands and Two Pianos - Serie II
Sonata "Undine" Op.167 - Cl/ Pf
POEME OP.25
Sei Quartetti Brevi - per Archi (String Ensemble)
PROGRESSIVE JAZZ STUDIES
Lee Konitz & Minsarah – Deep Lee (CD)
Sonata Fa Maior Op.34
Serenade Op.10 - Vn/ Va/ Vc
12.26SONATINAS OP.24, 54, 58, 60
Concerto
SELECTED STUDIES FOR GUITAR
PARTSONGS FOR FEMALE SONGS - SSA /TRP/ HP (SC+PTS)
CONCERTO Nº 2 LA MENOR OP.14
ESTUDOS CARACTERíSTICOS 
