Autor: Handel
Editora: G. Henle
Ref: 0 05-1497
At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel’s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience; the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player. In the score of the Urtext edition.

PLAY BOSSA NOVA - 5 SOPROS OU 5 GUITARRAS
SONATA - Flauta e Piano
Motum II - Trompa em Fa
Cantos de España - 2 Vcs
Piano Sonata a minor op. post. 143 D 784
CONCERTO SOL OP.34 1º POSIÇÄO
Renaissance and Baroque Music: A Comprehensive Survey
SIGHT-READING MADE EASY VOL.6
CONCERTO - Saxofone e Piano
Top Banana: Piano Part to accompany Cello
Liszt 2000
Third Suite from the Ballet "Gayaneh"
Concerto K.622-Cl Sib/ Cl La/ Pf
SHOOTING STARS - VC / PF
86 ESTUDOS VOL.I
DIFFICULT PASSAGES & SOLOS 2 - TROMBONE E TUBA
ZAPATEADO OP.23 Nº 2
Baroque Flute Anthology - 36 works + CD
ESTAMPES 

