Max Bruch (1838-1920), the German composer best known for his Violin Concerto in G minor, was in his day, a famous conductor and teacher as well as a prolific composer; yet he has been sadly neglected, perhaps in comparison to his contemporary Brahms. In this book – the only full-length study of Bruch – the author provides a richly documented account of Bruch’s career as music director and composer, including a spell with the Liverpool Philharmonic Society from 1880-1883, and as a teacher at the Royal Academy of Arts in Berlin from 1892 until his retirement in 1911, where Vaughan Williams was one his pupils; he paints a picture of a proud and sensitive man, whose talents were perhaps left behind at a time of rapid musical development. The book also offers a musical analysis of his one hundred published works, including three operas. CHRISTOPHER FIFIELD is foremost a conductor, but also a writer on music history (Grove, DNB, Viking Opera Guide, Oxford Companion to Music), the author of a biography of Hans Richter, the editor of the letters and diaries of Kathleen Ferrier, and a recent history of the music agents Ibbs and Tillett.
Referência: 0 250-GZ183 Autor/Compositor: FIFIELD, C. Editora GOLLANCZ

Ballade
LA VI LLEGAR - 6 VCS
UNE HISTOIRE DU JAZZ
THE BIRDS
5 Graphic Music Analyses
Favourite Opera Classics, Vol. IV
SONATA - 2 CL
10 CONCERTOS PARA FAGOTE - VOL.I - FAG / PF
Suite op. 25
Piano Concerto n.1 op.1
60 SELECTED STUDIES
Concerto D Major - Fl/ Pf
CONCERTO RE MAIOR - 4 VNS
Piano Sonata a minor op. post. 143 D 784
MÚSICA P/ TROMPA
ESTUDOS TONAIS VOL.2
ÚLTIMAS SINFONIAS Nº 35-41
60 Estudos para piano
SIGHT-READING MADE EASY VOL.8
Humoreske - Vc/ Pf
Cambridge Companion to Mendelssohn 

