Although Satie took the classical form as a model for his “Sonatine”, it is quintessentially an ironic work. The composer, who later in life liked to be seen walking through the streets wearing a stiff collar and bowler hat, included lines of text between the staves that describe the day of a typical Parisian bureaucrat. The bureaucrat sits in a chair with green silk sleeve guards and dreams of being promoted. “Next door a piano is playing Clementi”… and at this point parodied echoes of Clementi’s popular Sonatine op. 36/1 can actually be heard. Ulrich Krämer provides knowledgeable background information in the preface to our edition that will enable a better understanding of Satie’s work.
Autor: Satie, Erik
Ref: 0 05-1075
Editora: G. Henle Verlag

Trois pièces - Vn
QUARTETO CORDAS OP.18 / PIANO SONATA Nº 14
SINFONIA DOS SALMOS - CORO / ORQUSTRA
SINFONIA Op.68
QUINTETOS CORDAS COMPLETOS (SC)
The Pink Panther - Sax/ Pf
LAS TONALIDADES - SAX VOL.1
Andante Do Maior K315/ Rondo Re Maior K184
Timpani Method in 4 parts
60 Estudos para piano
Beethoven Goes Jazz
25 Melodious Studies op.45
Sonata Undine op.167 - Fl/ Pf 


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