Although Satie took the classical form as a model for his “Sonatine”, it is quintessentially an ironic work. The composer, who later in life liked to be seen walking through the streets wearing a stiff collar and bowler hat, included lines of text between the staves that describe the day of a typical Parisian bureaucrat. The bureaucrat sits in a chair with green silk sleeve guards and dreams of being promoted. “Next door a piano is playing Clementi”… and at this point parodied echoes of Clementi’s popular Sonatine op. 36/1 can actually be heard. Ulrich Krämer provides knowledgeable background information in the preface to our edition that will enable a better understanding of Satie’s work.
Autor: Satie, Erik
Ref: 0 05-1075
Editora: G. Henle Verlag

MÚSICA DE CÂMARA - INICIAÇÃO VOL.I
Fantasy Pieces op. 73 - Cl/ Pf
10 CÉLEBRES QUARTETOS CORDAS
RHAPSODIA S/ TEMA PAGANINI OP.43
French Suite I d minor BWV 812 (ed. without fingering) 


Avaliações
Ainda não existem avaliações.