Although Satie took the classical form as a model for his “Sonatine”, it is quintessentially an ironic work. The composer, who later in life liked to be seen walking through the streets wearing a stiff collar and bowler hat, included lines of text between the staves that describe the day of a typical Parisian bureaucrat. The bureaucrat sits in a chair with green silk sleeve guards and dreams of being promoted. “Next door a piano is playing Clementi”… and at this point parodied echoes of Clementi’s popular Sonatine op. 36/1 can actually be heard. Ulrich Krämer provides knowledgeable background information in the preface to our edition that will enable a better understanding of Satie’s work.
Autor: Satie, Erik
Ref: 0 05-1075
Editora: G. Henle Verlag

Complete Songs for Voice and Piano
CANTICLE III - TENOR / TRP / PF
SONATA SOL MAIOR BWV 1038 - FL/VN/PF
CONCERTO
CONCERTO SI MENOR OP.35 (1ª-7ª POS.)
L'alibi Della Parola (chord 4-Part-mixed)
6 Sonatas (RV 47, 41, 43, 45, 40, 46)
CONCERTO - OB / PF
60 SELECTED STUDIES
SONATA FA - TPT / PF
FANTAISIE PASTORALE HONGROISE - FL / PF
Sonata op. 52 - Vc/ pf
PRELUDIOS VOL.II 


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