Although Satie took the classical form as a model for his “Sonatine”, it is quintessentially an ironic work. The composer, who later in life liked to be seen walking through the streets wearing a stiff collar and bowler hat, included lines of text between the staves that describe the day of a typical Parisian bureaucrat. The bureaucrat sits in a chair with green silk sleeve guards and dreams of being promoted. “Next door a piano is playing Clementi”… and at this point parodied echoes of Clementi’s popular Sonatine op. 36/1 can actually be heard. Ulrich Krämer provides knowledgeable background information in the preface to our edition that will enable a better understanding of Satie’s work.
Autor: Satie, Erik
Ref: 0 05-1075
Editora: G. Henle Verlag

60 Estudos para piano
CONCERTO RE MENOR F4,11 - 2 VNS
11 Famous Chôros vol.1 - Guitarra Brasileira
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86 ESTUDOS VOL.I
The Marriage of Figaro - 2 Flautas
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6 Sonatas (RV 47, 41, 43, 45, 40, 46)
French Suite II c minor BWV 813 (ed. without fingering)
FANTASIA MOVIMENTOS MISTOS - 2. SERENIDADE
PERCUSSION - 1º GRAU ELEMENTAL
REPORTÓRIO CORAL VOL.II
Little Rondo in Classical Style - Hn (F) / Pf
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Sonata "Undine" Op.167 - Cl/ Pf
ESTAMPES
French Suite I d minor BWV 812 (ed. without fingering)
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15 Intermediate Classical Solos
Cello Sonata, Violin Sonata & Sonata Fl/ Va/ Hp (Sc)
PEÇAS CLÁSSICAS VOL.IV 


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