Although Satie took the classical form as a model for his “Sonatine”, it is quintessentially an ironic work. The composer, who later in life liked to be seen walking through the streets wearing a stiff collar and bowler hat, included lines of text between the staves that describe the day of a typical Parisian bureaucrat. The bureaucrat sits in a chair with green silk sleeve guards and dreams of being promoted. “Next door a piano is playing Clementi”… and at this point parodied echoes of Clementi’s popular Sonatine op. 36/1 can actually be heard. Ulrich Krämer provides knowledgeable background information in the preface to our edition that will enable a better understanding of Satie’s work.
Autor: Satie, Erik
Ref: 0 05-1075
Editora: G. Henle Verlag

OBRAS COMPLETAS ORGÃO VOL.I
ODD METER CALISTHENICS - CAIXA
Specimen Sight-Reading Tests Grade 1
Alto Rhapsody, Song of Destiny, Nènie and Song of the Fates
Third Suite from the Ballet "Gayaneh"
CINQ POESIES OP.23
SONATA - Flauta e Piano
CHACONE VIOLA DE GAMBA
Concerto Re Menor S.1043 -2 Vns/ Pf
Ballade
Années de pèlerinage, Première Année - Suisse 


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