The Stamp exercises, perhaps more than other brass methods, emphasize musical principles as much as physical concepts to accomplish the desired technical results. Perhaps the most famous Stamp aphorism was that if it sounded correct (i.e. «in-tune») then one was doing it correctly. Or, conversely, if one did not play correctly it would not sound correct. Indeed, everything that has been said or written about Mr. Stamp and his teaching/playing concepts reinforces this basic idea.
To implement his concepts, James Stamp would play the Warm-Ups/ Exercises on the piano keyboard while the students would simultaneously play them on the mouthpiece or the instrument. This method imposed a certain discipline and minimized the need for an inordinate amount of verbal instructions and analyses since any problems would become known almost immediately and consequently could be addressed early in the training process…
Stamp, James
Level: easy / advanced
Editions Bim
0 201-BIM1674

Playing the Saxophone
CÉLÈBRE CANON - GTR
SHOOTING STARS - VC / PF
Piano Sonata a minor op. post. 143 D 784
CAPRICHO
The Seasons - Pf
THE TEACHING OF JAZZ
Music Play: The Early Childhood Music Curriculum
CONCERTOS VOL.I
Pavane Pour une Infante Defunte - Oboé e Piano
Conjunto de 2 ganchos para cabelo | Composers
3 DUOS OP.36 - 2 VCS
Humoreske - Vc/ Pf
Notação Musical – Manual de escrita, edição e revisão
HOLBERG SUITE OP.40
FANTASIA S/ AIDA TPT / PF
COURS FORMATION MUSICALE - VOL.IV
Années de pèlerinage, Première Année - Suisse
EXPOSIÇÃO JOSÉ AFONSO- ANDARILHO, POETA E CANTOR
O Valor das Coisas sem Valor
Romanceiro da Tradição Oral (2 volumes)
TEMAS TRADICIONAIS RUSSOS E HÚNGAROS
Concerto D Major - Fl/ Pf
ESTAMPES
Cinderela Suite Nº3 Op.109
SONATA ARPEGGIONE LA MENOR - CBX / PF
DICTADO MUSICAL - RITMICO VOL.I
NANCY - MARIMBA SOLO
Viola Concerto, Op. Posth. (Ed. Serly)
Dix Études pour vibraphone jazz
Rustiques - Trumpet and Piano 
