The Stamp exercises, perhaps more than other brass methods, emphasize musical principles as much as physical concepts to accomplish the desired technical results. Perhaps the most famous Stamp aphorism was that if it sounded correct (i.e. «in-tune») then one was doing it correctly. Or, conversely, if one did not play correctly it would not sound correct. Indeed, everything that has been said or written about Mr. Stamp and his teaching/playing concepts reinforces this basic idea.
To implement his concepts, James Stamp would play the Warm-Ups/ Exercises on the piano keyboard while the students would simultaneously play them on the mouthpiece or the instrument. This method imposed a certain discipline and minimized the need for an inordinate amount of verbal instructions and analyses since any problems would become known almost immediately and consequently could be addressed early in the training process…
Stamp, James
Level: easy / advanced
Editions Bim
0 201-BIM1674

Flute Music Volume II - Pre-Classical Period
CONJUNTO CORAL EXERCÍCIOS PRÁTICOS VOL.I
CHORAL MUSIC EXPERIENCE - JUNIOR VOL.I
THE BEE OP.13 Nº 9
Fairy-Tale Pictures Op.113
12 Poems op. 35, Set of Songs on Texts by Kerner - Low Voice
CONCERTO DO MAIOR HOB VIIB:1
Collins International Primary Music - Student´s book 1
FOUR FOR ONE (11 ACOMPANHANTES)
SONATA LA MAIOR KV331
Pop Piano Playlist 4
The Seasons - Pf
SONATAS VOL.I
25 Melodious Studies op.45
Favourite Opera Classics, Vol. IV
Beethoven Goes Jazz
MINIATURA VOL.II (ED. GONET)
Elementary Snare Drum Studies
Divertimento - Orquestra de Cordas 
