The Stamp exercises, perhaps more than other brass methods, emphasize musical principles as much as physical concepts to accomplish the desired technical results. Perhaps the most famous Stamp aphorism was that if it sounded correct (i.e. «in-tune») then one was doing it correctly. Or, conversely, if one did not play correctly it would not sound correct. Indeed, everything that has been said or written about Mr. Stamp and his teaching/playing concepts reinforces this basic idea.
To implement his concepts, James Stamp would play the Warm-Ups/ Exercises on the piano keyboard while the students would simultaneously play them on the mouthpiece or the instrument. This method imposed a certain discipline and minimized the need for an inordinate amount of verbal instructions and analyses since any problems would become known almost immediately and consequently could be addressed early in the training process…
Stamp, James
Level: easy / advanced
Editions Bim
0 201-BIM1674

INTERNATIONALE LIEDER UND TANZE-BAN
ESCOLA TÉCNICA VIOLA VOL.I
SONATINA OP.39 TRP SI SOLO
LES FLÛTES DE RAFI
PEÇAS CLÁSSICAS VOL.II
Années de pèlerinage, Deuxième Année - Italie
Sonatine, op.13, n° 1
Pop Piano Playlist 4
Sonata Sol Menor BWV 1020/ H.542.5
PASTORALE OP.11 Nº3 - FL / PF
CONCERTO
Sonata F major op.5 nº1
SONATA ARPEGGIONE LA MENOR - CBX / PF
Éléments pratiques du rythme mesuré - Vol.I
Années de pèlerinage, Troisième Année
CONCERTO DE ARANJUEZ para guitarra e orquestra
Concerto No.1 Gmin Op.26 - Vn/ Pf
Concerto G major
Concerto in G minor op.33
11 Famous Chôros vol.1 - Guitarra Brasileira
Complete Variations 
