Although Satie took the classical form as a model for his “Sonatine”, it is quintessentially an ironic work. The composer, who later in life liked to be seen walking through the streets wearing a stiff collar and bowler hat, included lines of text between the staves that describe the day of a typical Parisian bureaucrat. The bureaucrat sits in a chair with green silk sleeve guards and dreams of being promoted. “Next door a piano is playing Clementi”… and at this point parodied echoes of Clementi’s popular Sonatine op. 36/1 can actually be heard. Ulrich Krämer provides knowledgeable background information in the preface to our edition that will enable a better understanding of Satie’s work.
Autor: Satie, Erik
Ref: 0 05-1075
Editora: G. Henle Verlag

MÚSICA P/ TROMBONE
ODD METER CALISTHENICS - CAIXA
Etudes-Caprices Op.18
QUINTETOS CORDAS COMPLETOS (SC)
Scaramouche - Saxofone alto e Piano
Concerto D Major - Fl/ Pf
SUITE SI MAIOR - 3 VNS
LOOK, LISTEN & LEARN - PLAYING YOUR FAV. SONGS
TRAITE DE GUITARE FLAMENCA REPERTOIRE VOL.I
Concertos for Hapsichord BWV 1052-1059
Pedagogia Musical Vol. 4
AMAZING STUDIES - SAX
MÉTHODES & TRAITÉS 7-VIOLONCELLE FRANCE,1600-1800
Années de pèlerinage, Troisième Année 


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